This article by Alan Woods was originally written in 1989 to commemorate 200 years of the Great French Revolution, with a new introduction by the author. Alan Woods explains the internal dynamics of the revolution and above all the role played by the masses.

In this in depth article Alan Woods looks at the specific historical role of Napoleon Bonaparte. He looks into the characteristics of this man that fitted the needs of the reactionary bourgeoisie as it attempted to consolidate its grip on French society and sweep to one side the most revolutionary elements who had played a key role in guaranteeing the victory of the revolution.

This article by Alan Woods looks at how the French Revolution affected British poets. It struck Britain like a thunderbolt affecting all layers of society and this was reflected in its artists and writers.

Wolfgang Amadeus Mozart is considered by many as the greatest musician of all time. He was revolutionary in more senses than one. One of his main achievements was in the field of opera. Before Mozart, opera was seen as an art form exclusively for the upper classes. This was true not only of those who went to see it, but also of its dramatis personae - the characters who were shown on the stage, and especially the protagonists. With The Marriage of Figaro (Le Nozze di Figaro in its original Italian title), all this changes. This is the story of a servant who stands up to his boss and outwits his master.

Despite his confused politics, Lenin had a great respect for the Russian anarchist Kropotkin, particularly as the author of the book about the Great French Revolution. He pointed out that Kropotkin had been the first to look at the French Revolution through the eyes of a researcher, to focus the attention on the plebeian masses, and to continually underline the role and meaning of the craftsmen, the workers and other representatives of the working people during the French Revolution.

We republish here a very interesting letter written in 1915 by Serbian socialist Dušan Popović to Christian Rakovsky, the great Balkan internationalist. The letter was published by Nashe Slovo (Our Word), a daily Russian language socialist newspaper published in France during the First World War and edited by Leon Trotsky. We think it contains crucial lessons for the attitude of Marxists towards imperialist war, and the way in which imperialist powers use the rights of nations as a pretext for their real aims.

To mark the anniversary of the death of the great revolutionary, Vladimir Lenin, we are republishing this article, which was originally written to commemorate the Lenin centenary in 1970. The early symptoms of bureaucratic degeneration in Russia were already noted by Lenin in the last two years of his politically active life. He spent his last months fighting against these reactionary tendencies, leaving behind a vital heritage of struggle in his last letters and articles. The struggle of the anti-Stalinist Left Opposition, led by Trotsky after Lenin's death, really begins here.

From activists glueing themselves to trains, to throwing soup at paintings: recent years have seen numerous groups employing ‘direct action’ tactics to achieve their aims. Instead, Marxists call for mass organised struggle by workers and youth.

After decades of low inflation and rock-bottom interest rates, economies throughout the world are now facing a spectre unseen since the 1970s: rising inflation levels combined with the beginnings of another recession.

On Saturday 26 November, 65 people gathered in the London Irish Centre, with another 35 connecting online, for the launch of the new edition of Alan Woods’ Ireland: Republicanism and Revolution(order here). Comrades joined the live-streamed event from Ireland, Britain, Sweden, the USA and Canada, making this a really international gathering.

We are delighted to announce the arrival of Ireland: Republicanism and Revolution by Alan Woods, newly republished and available to purchase today from Wellred Books! This is an essential read for all revolutionaries eager to learn about how British imperialism can be buried in Ireland, its oldest colony.

The Russian Revolution ushered in a flowering of creative expression in all the arts, but particularly cinema, which was advanced to new heights by the likes of Dziga Vertov and Sergei Eisenstein, who regarded film as a weapon of class struggle. Despite being cut short by the Stalinist degeneration of the regime, the legacy of October in the field of filmmaking continues to be felt to this day.

Defenders of the free market look towards libertarians such as Hayek and Mises – and their assertion of an ‘economic calculation problem’ – in order to attack socialism. But in truth, Marxists answered these reactionary arguments long ago.

On 9 April, a group called Stand With Ukraine held a small demonstration in London. Despite receiving support from a number of trade unions, only a few hundred people took part. In true Orwellian fashion, this so-called anti-war solidarity demonstration was filled with hair-raising, warmongering rhetoric. Slogans included: “arm, arm, arm Ukraine!”, and participants were reportedly inviting NATO to “call Putin’s bluff”, i.e. to launch a full-blown military intervention and spark World War III.

This article was produced several months ago by our Italian comrades of Sinistra, Classe, Rivoluzione in response to a polemic by Francesco Ricci concerning the counter-revolutionary demonstration in Cuba last year, which he supported. Ricci’s organisation (the PDAC) inherits the tradition of Nahuel Moreno, a leader of the Argentine Trotskyist movement who historically swung back and forth between ultra leftism and opportunism.