|
By Phil Mitchinson
|
|
Tuesday, 03 January 2006 |
|
Phil Mitchinson reviews a new book Remembering Arthur Miller and interviews one of the contributors, the well known director David Thacker who worked with the American playwright on numerous occasions and was the artistic director of the famous Young Vic theatre in London. Miller's courageous stand against McCarthyism is well known but perhaps less generally recognised is how important an influence politics in general played in his life and writings. |
|
By Bjorn Ovrevik in Newcastle
|
|
Tuesday, 25 October 2005 |
|
Moleres and Hine are two photographers, the first contemporary the second from the first half of the 20th century, who have accumulated a large number of photographs dedicated to exposing child labour around the world. There work is presently being exhibited at the Side Gallery, 9 The Side, Newcastle-upon-Tyne, and will continue until November 19. Here we provide a review of the exhibition. |
|
By Javed Shaheen
|
|
Monday, 10 October 2005 |
|
“I Ask the Night” is a translation of
selected poems by Javed Shaheen, the famous Pakistani poet, published by
Struggle Publications in Lahore. Javed Shaheen witnessed the terrible bloodshed
at the time of the partition of India and that marked him for the rest of his
life. Ever since then he has sided with the downtrodden and oppressed.
|
|
By Harry Whittaker
|
|
Friday, 07 October 2005 |
|
In a few days the
Frida Kahlo Exhibition at the Tate Modern comes to an end. If you are in London
you have a last chance to go and see it. Here Harry Whittaker looks at the life
and works of this artist. |
|
By Alan Woods
|
|
Friday, 15 July 2005 |
This year marks the 400th anniversary of the first publication of Don Quixote, the greatest masterpiece of Spanish literature. The working class, the class that has the greatest interest in fighting to defend culture, should celebrate this anniversary enthusiastically. This was the first great modern novel, written in a language that ordinary men and women could understand. |
|
By Alan Woods
|
|
Friday, 15 July 2005 |
|
Every ruling class entertains the same illusions about itself. In their
imaginations they are conquering heroes, when in reality they are
involved in the most sordid and dirty business. Cervantes reflects the
breaking down of the old feudal society and a transition towards a
capitalist society and morality, based on money not rank. |
|
By Maarten Vanheuverwyn
|
|
Friday, 18 February 2005 |
|
Last week, Arthur Miller, the dramatist who wrote plays that dealt with big moral and political questions in America, died. The legendary playwright, who continued his commitment to art and politics until the end of his life, was 89. |
|
By Alan Woods
|
|
Tuesday, 16 December 2003 |
|
Someone has said that one of the criteria for winning the Turner Prize
is not to be understood. The philosophy behind this is: the less I am
understood, the better the art.Yet the kind of art that wins the Turner
competition also has merit. They have the merit of holding up a mirror to the
society that produced them, and saying: “This is what you are, and this is
all you are capable of producing.” These works point out to us that
beneath the sleek, comfortable bourgeois surface of modern society, horrors are
lurking: dead vermin, murder, death and decay. |
|
By Mordachai Peargut
|
|
Wednesday, 05 November 2003 |
|
A contribution by Mordachai Peargut. |
|
By Alan Woods
|
|
Friday, 25 April 2003 |
|
In the present epoch, the bourgeoisie is no longer capable of advancing human
civilization, but the decay of the capitalist system threatens to poison every
aspect of social life. The most heartbreaking example of the way in which
capitalism is destroying the cultural heritage of mankind is what has just
happened in Iraq. |
|
By Fred Weston
|
|
Friday, 25 April 2003 |
|
Yesterday’s British ‘The Independent’ published an article confirming
that looting, on the part of US troops and even some journalists, of precious
works of art has indeed been taking place in Iraq. |
|
By Alan Woods
|
|
Wednesday, 23 April 2003 |
|
The connection between Italian Futurism and fascism is well known. Alan Woods looks at the psychology
of the Italian bourgeois and petit bourgeois intellectuals in the period before and during the
First World War that gave rise to this singular phenomenon. It is an object lesson on how art and politics
can become inextricably linked, and how this mixture arises from a definite social and class basis. |
|
By Leon Trotsky
|
|
- |
|
This is
an essay by Trotsky, taken from Chapter 4 of
Literature and Revolution published in 1924, in which he looks at the development of the Futurist trend in art, looking
in particular at its Russian variant, but also touching on the Italian. |
|